Hi Pentaxian friends.
PENTAX ANNOUNCES K-r DIGITAL SLR AND NEW 35MM LENS: LATEST PENTAX OFFERS COLOR CHOICES TOREFLECT OWNER’S PERSONAL STYLE
GOLDEN, CO. September 8, 2010…PENTAX Imaging Systems Division has announced a new digital SLR line with color accents that allow owners to choose one that matches their personal style. The colorful PENTAX K-r DSLR camera offers advanced yet simple to use features at an attractive price.
The compact, lightweight PENTAX K-r is easy to use with Auto Picture, Scene, and Custom Image Processing modes that take the guesswork out of shooting stunning images while still offering a high degree of manual and priority control. The K-r offers a variety of new and improved features including a fast framerate, high ISO sensitivity, responsive autofocus, an improved 12.4 megapixel low-noise sensor and widescreen HD video capture that take it a step above an entry-level DSLR camera.
Key features of the PENTAX K-r that are new or have been improved upon from the most recent entry to mid-level PENTAX DSLR models include: Three stylish color choices include traditional black, the new classic white, and PENTAX red reflect any owner’s personal style. Large 3 inch LCD with 921,000 dots of resolution. Faster high speed 6 FPS framerate that captures 25 images in a single sequence. A maximum 1/6000 second shutter speed. Viewfinder focus point indicator. Improved in-camera HDR image capture including a Night Scene HDR mode. High sensitivity 100-25600 ISO range with improved noise performance from the new 12.4 megapixel CMOS sensor. Versatile dual-power-source design, which offers the choice of either a rechargeable lithium-ion battery or four AA-size battery power (using optional AA Battery Holder D-BH109). Infrared data transfer compatible with the IrSimple™ high-speed infrared data transmission system for wireless data transfer to the web or other IrSimple-compatible devices (includes a match-game between two PENTAX K-r’s).
Other important features of the new K-r models include: Widescreen 720p HD video at 25 FPS. PENTAX-original Shake Reduction mechanism for sharp, blur-free images that works with every PENTAX lens ever made Dust Removal mechanism, to shake dust off the CMOS image sensor.
Highly responsive and accurate 11 point SAFOX IX autofocus system with dedicated AF assist lamp. Wide range of in-camera image processing and special effects filters.
With a highly portable, compact and lightweight body in a choice of colors, the K-r holds appeal for busy parents, family memory-keepers, travelers and anyone who reflects personal style in all their pursuits including their journey into photography or videography as a skill or hobby. The PENTAX K-r digital SLR will ship in October 2010 for as follows:
K-r Body Kit: $799.95 USD
K-r Lens Kit w 18-55: $849.95 USD
K-r Double Lens Kit w 18-55, 50-200: $899.95 USD
K-r Double Lens Kit w 18-55, 55-300: $999.95 USD
PENTAX also announced the smc PENTAX DA 35mm F2.4 AL, standard lens designed exclusively for use with PENTAX digital SLR cameras. This new lens is versatile enough to be used with a wide range of subjects and applications for high-resolution images with edge-to-edge sharpness.
It is a perfect choice for digital SLR beginners to familiarize themselves with the basics of using interchangeable lenses.
The PENTAX DA 35mm F2.4 AL lens also will ship in October for $219.95 USD.
More information is available here: www.pentaximaging.com and product images are available
PENTAX Imaging Company is an innovative leader in the production of a variety of digital cameras including weather resistant digital SLRs and stylish, compact, waterproof cameras, as well as lenses, flash units, binoculars, scopes, and eyepieces. For over 90 years, PENTAX has developed durable, reliable products that meet the needs of consumers and businesses. With headquarters in Golden, Colorado, PENTAX Imaging Company is a division of PENTAX of America, Inc.
PENTAX K-r FACT SHEET
High-quality, true-to-life image reproduction The K-r incorporates a new generation CMOS image sensor with 12 megapixels and the high-performance PRIME (PENTAX Real Image Engine) II imaging engine for accurate and high-speed data processing equal to that of upper-level PENTAX digital SLR models for high-quality images.
High-quality, true-to-life image reproduction The K-r incorporates a new generation CMOS image sensor with 12 megapixels and the high-performance PRIME (PENTAX Real Image Engine) II imaging engine for accurate and high-speed data processing equal to that of upper-level PENTAX digital SLR models for high-quality images.
The camera also offers a wide sensitivity range between ISO 200 and ISO 12800 that may be expanded from ISO 100 to ISO 25600 via a custom function.
Compact, lightweight body Even with the 23.6mm x 15.8mm image sensor, the K-r features a compact, lightweight, stainless-steel chassis with in-body Shake Reduction in a space-efficient design.
High-speed continuous shooting at approximately six images per second The K-r’s high-speed continuous shooting mode records as many as 25 images (in JPEG recording format) in a single sequence at a maximum speed of approximately six images per second (fastest of all entry-class models) for sharp, crisp images of fast-moving subjects.
High-precision AF system The K-r’s high-precision, wide-frame SAFOX IX autofocus system features 11 sensor points (with nine cross-type sensors positioned in the middle) for pinpoint focus on the subject. The K-r is also equipped with a spotbeam projector to assist the AF system in poorly lit locations. Accuracy and speed of contrast AF operation during Live View shooting is enhanced with a new-generation image sensor and drastic upgrading of AF algorithms.
Bright, clear optical viewfinder The PENTAX-original finder optics and the renowned Natural-Bright-Matte focusing screen ensure the K-r’s viewfinder offers a bright, clear subject image at 0.85X magnification and with a 96% field of view. The viewfinder offers excellent visibility even in bright outdoor locations and provides delay-free, real-time display of the subject’s image. This is helpful when shutter release timing is critical such as in sports photography. The in-focus point is indicated as a red point in the viewfinder for at-a-glance confirmation.
Large, easy-to-view 3 inch LCD monitor with wide-view design and approximately 921,000 dots The K-r features a large, high-resolution color LCD monitor with approximately 921,000 dots and its wide-view design assures a clear view of the monitor image from approximately 170 degrees horizontally and vertically, making it particularly useful in low- and high-angle applications during Live View shooting.
Versatile dual-power-source design In addition to the rechargeable lithium-ion battery, which allows the photographer to capture approximately 560 images with a single recharge,* the K-r can also be powered by four AA-size batteries using optional AA Battery Holder D-BH109.
* Based on the PENTAX in-house testing conditions conforming to the CIPA standards, using a rechargeable D-LI109 Lithium-Ion Battery.
PENTAX-original Shake Reduction mechanism for sharp, blur-free images The K-r features the PENTAX-developed SR (Shake Reduction) mechanism, which effectively compensates the adverse effect of camera shake by up to approximately four shutter steps. This innovative mechanism extends its benefits to almost all PENTAX interchangeable lenses — even those designed for film-format cameras.* The K-r produces sharp, blur-free images even under demanding conditions prone to camera shake, such as when using a telephoto lens, shooting in the dark without flash illumination, and shooting sunsets. * Lenses compatible with this mechanism: PENTAX K-, KA-, KAF-, KAF2- and KAF3-mount lenses; screw-mounted lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions may not be available with certain lenses. Innovative image-processing functions to produce distinctive photographic expressions
(1) Custom Image function for distinctive finishing touches The K-r features the Custom Image function to allow users to select a desired finishing touch for a particular image with a choice of nine custom image modes including Bleach Bypass, which is designed to create a dramatic visual effect used in motion pictures.
(2) Versatile Digital Filter function The K-r’s Digital Filter function allows users to process recorded images in a variety of creative ways and produce highly creative visual expressions — without a computer. Users may choose from 18 filters, including a new Starburst, Sketch and Posterization and may now apply filter upon filter, one after another, to an image for more creative results.
(3) Cross Process mode with three options The K-r features the unique Cross Process mode that automatically shifts photographic parameters for each exposure to create eye-catching images with dramatic colors (as with photographs treated with the cross process* in film photography). In addition to “Random”, where the results are unpredictable until the image has been processed, users now have two new options: “Preset” with three different sets of preset parameters; and “Favorite” with user-input parameters. *A film development technique that uses unconventional film development to create a distinctive finish with dramatic, stylized colors.
(4) Improved High Dynamic Range function The K-r features the High Dynamic Range function to create one composite image with an extra-wide gradation range from three images with different exposures without a computer. Users may choose from Auto, Standard and Expanded (at three levels) modes to accommodate different creative intentions.
(2) Versatile Digital Filter function The K-r’s Digital Filter function allows users to process recorded images in a variety of creative ways and produce highly creative visual expressions — without a computer. Users may choose from 18 filters, including a new Starburst, Sketch and Posterization and may now apply filter upon filter, one after another, to an image for more creative results.
(3) Cross Process mode with three options The K-r features the unique Cross Process mode that automatically shifts photographic parameters for each exposure to create eye-catching images with dramatic colors (as with photographs treated with the cross process* in film photography). In addition to “Random”, where the results are unpredictable until the image has been processed, users now have two new options: “Preset” with three different sets of preset parameters; and “Favorite” with user-input parameters. *A film development technique that uses unconventional film development to create a distinctive finish with dramatic, stylized colors.
(4) Improved High Dynamic Range function The K-r features the High Dynamic Range function to create one composite image with an extra-wide gradation range from three images with different exposures without a computer. Users may choose from Auto, Standard and Expanded (at three levels) modes to accommodate different creative intentions.
An Auto Align function allows use even with handheld shooting. High-speed infrared data transmission system The K-r is the first PENTAX digital SLR camera equipped with the IrSimple™ high-speed infrared data transmission system, which allows users to transfer image data to IrSimple-compatible digital devices and post their K-r images on the web via a cellular phone. This also allows users to exchange image data between two K-r cameras and play a simple match game using image Exif data (such as aperture or shutter-speed values) to judge images and offer techniques and suggestions for better images.
High-quality, HDTV-proportion movie recording at 1280 x 720 pixels and at 25 frames per second The K-r provides a movie-recording function,* which captures beautiful, true-to-life movie clips in 16:9 high-definition TV proportions (1280 x 720 pixels) at a frame rate of 25 frames per second. This extends many benefits of high-quality SLR photography to the world of movie shooting: For example, users may reduce the depth of field to make a subject stand out, or use different interchangeable lenses to create distinctive visual effects. The K-r also assures a greater possibility of visual presentation in movies — either through the application of digital filters, such as Toy Camera and Retro, to add specific visual effects during shooting, or through the use of various movie-editing functions after shooting.
*When the PENTAX K-r’s AV output terminal is used, movie clips are output at normal resolution. The data must be transferred to a PC for the playback of movie clips at high-definition TV proportions (1280 x 720 pixels). Additional Features: User-friendly layout of essential control buttons and levers, all positioned on the camera’s grip side for quick, effortless access by the photographer’s right hand. Auto Picture mode, for effortless, automatic selection of the most appropriate shooting mode, even during Live View shooting. Versatile white balance control, featuring a new CTE mode designed to emphasize the dominant color components of the captured images which works best with scenes such as sunset. Automatic compensation of distortion and lateral chromatic aberration (available only with
DA-,DFA- and FA Limited-series lenses). PENTAX Digital Camera Utility 4 software package, with RAW-data processing and browser applications.
smc PENTAX DA35 mm F2.4 AL FACT SHEET
Versatile, easy-to-use standard lens Mounted on a PENTAX digital SLR camera body, this standard lens offers an angle of view equivalent to a 53.5mm lens in the 35mm format for a natural, comfortable perspective similar to the naked eye for a variety of subjects and applications, including snapshots, landscape and portrait. High-quality image description Incorporating a hybrid aspherical optical element in its optics, this lens delivers high-quality images with enhanced sharpness and contrast, from minimum focusing distance to infinity, and assures exceptional image-resolving power with outstanding brightness levels even at the edges (even at an open aperture) while effectively compensating various aberrations to a minimum. It is treated with the PENTAX-original Ghostless Coating to minimize the adverse effects of flare and ghost images, assuring true-to-life images even under demanding conditions such as harsh backlighting. Large maximum aperture With a maximum aperture of F2.4, this lens offers a bright, clear viewfinder image and allows the photographer to use faster shutter speeds under poor lighting conditions to minimize the risk of camera shake and subject shake. Compact, lightweight design The compact, lightweight design makes it highly maneuverable in various shooting conditions and easy to carry anywhere
Additional features:
Additional features:
High-performance optics designed exclusively for PENTAX digital SLR cameras and optimized for the characteristics of digital images
Minimum focusing distance of 0.3 meters
PENTAX-original SP (Super Protect) Coating applied to the front surface to repel dust, water and grease
8 comments:
The K-r shows focus points in the viewfinder! That was my greatest concern regarding the K-x. This, and the new battery options, makes the K-r very tempting -- however, it may also push the price of the K-x down even further, which may tempt me to go for the bargain (and it was already a steal at $500).
I don't understand the new 35mm lens, though. Its maximum aperture is f/2.4?! If I'm going to buy a fixed lens, I want at least f/2. An inexpensive 35mm f/1.8 lens would have been tempting, but at f/2.4, it's just not worth it to me (I already have the DA* 16-50mm f/2.8).
I'm really curious to see if there is anything to the rumors of a K-5. If nothing comes of that, I'll be very tempted to pick up a K-r to use alongside my K-7 for low-light work (inside churches, especially).
IMHO the 35/2.4 is utterly pointless.
A whole stop SLOWER than the Nikon equivalent and MORE EXPENSIVE?!?
Oh, but it comes in purty colours...
Anonymous,
You know, you could have put your name. We're okay with any opinions over here. However, since Pentax is king of the entry-level cameras with the K-x and now the K-r, it seems to me that an inexpensive lens is indeed in order. It's surely not targeted to advanced amateurs or professional photographers. A 35mm lens is similar to a 52.5mm lend on a full frame, and that's what the standard lens has been for many, many years. With high ISO capabilities, the fast lenses are not as important as they were once, except for selective focusing. Without having tested the optics of this lens, how could one compare it's quality with the Nikon lens?
Hi Yvon,
Sorry, I should have signed my name.
I am a great Pentax fan, but I'm getting very frustrated by their lack of communication and ever spiraling lens prices.
The 35/F2 was a wonderful lens. Why discontinue it? It used to sell for similar money to this newly introduced plastic 2.4.
The 35/2.8 Macro is another wonderful lens, and one that is actually worth what Hoya is asking for it.
Now we get yet another 35mm, and relatively slow to boot.
What we really needed was something affordable and fast that fitted in the empty space between the 21 and the 35. I owned the 31, and much as I loved it (prior losing the thing), affordable it certainly wasn't.
Samsung can do a good value, fast 30mm (a truer standard focal length than a 35mm), why can't Pentax? Are they blind to this yawning chasm in their lens line-up?
While I'm ranting... what about a super-zoom lens? This is something that the entry level user naturally gravitates to, and Pentax have NOTHING!
Canon, Nikon, Sony, Panasonic, Olympus... they all offer own-brand super-zoom lenses. Pentax won't even tell their customers their intentions. At least let us know, we are planning/not planning on releasing one, so that we can go to a 3rd party maker if need be. I'm hoping Pentax will introduce a 18-150 or 18-250 WR at Photokina, but I'm not holding my breath!
Anyway, I always enjoy your blog. Many thanks.
All the Best,
Fred.
Hello Fred,
Pentax used to have a superzoom (an 18-250mm, if I remember correctly). I was going to tell you that they already have one, but I went searching and found that they have completely disappeared from the Pentax lineup and from Amazon, Adorama, and B&H. That seems very odd. I'm certain that they were available within the past year.
--Nathan
The Pentax new 35mm lens comes in an array of colors and is targeted specifically to entry-level photographers and the segment of the population that purchased the K-x or will puirchase the K-r in color. These folks are not necessary enthusiasts, but occasional picture takers and the 35mm should do just fine for them. I do however think that a kit zoom lens in various colors would be more appropriate for these photographers. It doesn't have to be the best glass, as most take pictures to share vacations, the kids growing up, soccer games, etc.
Yvon,
I didn't realize that the DAL 35mm f/2.4 came in multiple colors. That is interesting.
I just don't see non-enthusiasts picking up a prime lens. People get really confused when they find out that I've spent hundreds of dollars on a lens that doesn't zoom.
I guess I can see that a 35mm f/2.4 might be a nice second lens for someone who only has the 18-55mm kit lens, if they've decided to get a little more serious. I just wish they'd made it a little faster. It won't tempt me unless it can open up to f/2.0 (or more).
Sometimes I could really use a fast lens that's wider than my 50mm and a $200 35mm f/2 (or faster) would be tempting. I think my next prime is likely to be a Sigma 24mm f/1.8. It's fast and it's a full-frame lens.
It's too bad that Pentax doesn't offer an inexpensive, fast 35mm or 24mm. For me, the biggest reason to shoot with a prime, is the large maximum aperture. This is also why I long for either the 77mm f/1.8 or Sigma's 85mm f/1.4. I've got the DA* 50-135mm (which I love, by the way), but f/2.8 is quite slow in many cases, and I often want the bokeh of a faster lens.
Hi Nathan,
Pentax used to licence/rebrand the Tamron 18-250. They then pulled the product, and gave no indication to their customer base why they did so and whether they had plans on providing an alternative.
Yes, you could get the Tamron lens (or Sigma), but then the Distortion and CA correction features of the K-x don't work.
Back onto the subject of the 35/2.4... I also think that a range of colours on the 18-55 (or frankly a super zoom) best suits new DSLR users upgrading from point and shoot cameras. My primes also confuse the heck out of most people while they try to turn a non-existant zoom ring.
Those that do want a standard lens are likely to be more tempted by Canikon's 35/1.8 or Samsung's 30/2.0 for example.
Fred
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